the witch part 1. the subversion kissasian

#The witch part 1. the subversion kissasian movie
#The witch part 1. the subversion kissasian mods

The primary focus of this sub should be content available on Netflix, and all top level recommendations and questions should be about Netflix. Hover over to read.Īdd regional flair tags to your submissions so we know what Netflix region you're posting from CLICK HERE FOR MORE INFORMATION Please write a short blurb either in the submission title or the text if you do a self post to explain why this movie/show is worth watching.Īdd spoiler tags as a courtesy.

#The witch part 1. the subversion kissasian movie

Please link to the description page of the movie or show you are posting. If the same title appears simultaneously in the top 50, it may be removed at the mod's discretion.

#The witch part 1. the subversion kissasian mods

Stop complaining about reposts and stop messaging the mods about it. The mods are leaving it up to the community to utilize downvotes if they feel that reposts are too excessive. The front page of this subreddit is meant to be a living representation of quality content on Netflix and you might see the same submissions multiple times. Reposts are not only allowed, but are encouraged to some extent. The Witch: Part 2 is released on 28 November on digital platforms.The primary purpose of /r/NetflixBestOf is to shitpost about Breaking Bad. But satire is much less the point than good old-fashioned ass-kicking and special effects, all smoothly executed and doled out in bite-size scenes. He brushes off the compliment, saying it’s only genetics, and indeed nearly everyone’s looks and powers are “only genetic” in this world. For example, when tough tracker girl Jo-hyeon (Seo Eun-soo) is flatteringly described as having “rebel eyes” by a rival (Lee Jong-suk), she, in turn, praises his lovely skin, which is indeed cosmetic-advert perfect. In the film’s more comic moments it explicitly links the biologically altered transhumans to the developed world’s fetishisation of beauty.

(Bear in mind: the film is extremely gory and has deservedly been given an 18 certificate.) They’re all ridiculously good looking and super-cool, like the members of competing K-pop bands but with extremely murderous instincts. Writer-director Park Hoon-jung has also grafted on a subplot reminiscent of Orphan Black that involves a bunch of telekinetic young people in rival gangs who are connected to the story.

If you grasped all that without having seen Part 1, you’ll notice that the plot is a bit like a Korean version of Stranger Things, with Ark 1 as The Witch’s version of Eleven, the lab-reared victim-prodigy with extraordinary psionic powers. The thing is, the first half focus is shared among this faction so it's confusing. There's a lot of characters introduce, cementing that there many faction of superhuman. (In relatable fashion, she loves the food samples in supermarkets.) The farmers are being menaced by an uncle (Jin Goo) who wants to forcibly seize their farm, but like almost all the men in this film, the gangsters profoundly underestimate the power of slight young women such as Ark 1, Kyung-hee or, indeed, Ja-yoon herself. It serves like expansion of the witch universe.

But Ark 1 was never socialised like Ja-yoon, the latter having been adopted by kindly if elderly normie farmers at a young age, so a lot of the time is spent watching Ark 1 adapt to regular life after she is taken in by young farmer Kyung-hee (Park Eun-bin) and Kyung-hee’s brother Dae-gil (Sung Yoo-bin). However, Part 2’s heroine Ark 1 (Shin Sia-ah) is, from the off, able to throw whole cars around and beat people up psychically, having been raised in a secret facility where her superpowers were genetically implanted from birth. The first film’s central figure Ja-yoon (Kim Da-mi, briefly returning here) began to exercise her telekinetic powers only two-thirds of the way into Part 1’s narrative. This expansive but absorbing sequel to the 2018 sci-fi horror feature The Witch: Part 1 presents, as its extra subtitle The Other One, which might suggest a narrative centred on another young “witch”.